Judy Tal Kopelman - Public Artist

The making of

The process begins with conceptualizing the images and drafting them using photography or drawings.

Stencils are cut by laser or by hand, based on a 3 or 4 layer color separation done on a computer.

Sometimes the stencils are skipped: each color layer is projected onto the wall and its outline is sketched.

The painting itself is done with airbrushes, spray cans, brushes, sponges and other tools.

Work in progress